Despite a torrential downpour that turned much of Accra into a waterlogged maze this past Saturday, June 14, the National Theatre of Ghana was ablaze with energy, laughter, and tears as the second edition of 3 Faces of Jeffrey Nortey not only went on it sold out, made history, and redefined what a Ghanaian live show can be.
With roads flooded and umbrellas flipping in the wind, many might have expected the event to be delayed or worse, canceled. But by 5 p.m., eager fans were already arriving in heels, sneakers, and soaked kaftans, gathering under the theatre’s canopy like pilgrims drawn to a spiritual moment. They posed for red carpet snapshots, nibbled on light refreshments, and buzzed about what Jeffrey Nortey had in store. By the time the lights dimmed and the first spotlight hit the stage at just past 8 p.m., the 1,500-seat auditorium was filled to capacity every single seat claimed, the aisles lined, and the lobby overflowing.
Kasa Entertainment and Focus Afriq didn’t just produce a show they pulled off a cultural phenomenon. The night opened with a comedy avalanche, as some of Ghana’s finest rising acts warmed the stage. ID James Brown’s hilarious self-roasts kicked things off, followed by Kwame Obed’s side-splitting tales of African mothers. One Noah, Kojo Pjay, Nino GH, and Khemikal all brought their A-game, while Jeneral Ntatia’s nostalgic Ga-town stories struck both a humorous and emotional chord.
But the real magic began when a booming voice cut through the laughter. From the darkened rear of the theatre, Big Ghun’s energetic pidgin intro set the stage literally for the main event. The spotlight caught Jeffrey Nortey, dressed in a glittering black suit, standing center stage like a vision. What followed was not three, but multiple faces of artistry that danced across genres, emotions, and generations.
Face One: Nortey began with a soul-piercing spoken word performance, moving the crowd with a raw, unfiltered critique of Ghana’s environmental and social crises. Littering, climate change, corruption, child exploitation nothing was off-limits. The room held its breath.
Face Two: Rising through smoke and strings, Jeffrey transformed into a Ga priest, delivering a spiritual moment that transcended language. Even those who didn’t understand the dialect joined in chant and rhythm, pulled into the trance of his authenticity.
Face Three: A dramatic skit with screen legend Kalsoume Sinare opened a dialogue about drug use and sexual abuse, handled with both weight and wit. Then came Clemento Suarez, a Father’s Day tribute, and the thunderous demand from fans for the final face: Dragon.
And oh, did he deliver.
Draped in denim, donning a red bandana, and wearing his iconic black lips, the Dragon stormed the stage amid indoor fireworks and fan frenzy. As he chanted jama songs and unleashed lyrical bars, fans tossed cedi notes in the air like blessings. A live sketch unveiling Nortey’s artistic evolution brought the audience to their feet. The atmosphere? Electric.
Just when the night couldn’t get any better, Jeffrey introduced musical guest Jubed, who got hearts beating with his hit “Ruwa.” Then, nostalgia hit hard as veteran performer Praye Tietia took the stage, uniting the crowd in a timeless singalong that bridged generations.
With tears in his eyes, Jeffrey closed the night by thanking the soaked-yet-smiling crowd, his supportive family, and sponsors like Evivi Foods, Fam Global, Compu Ghana, Bel Aqua, and mNotify.
Social media exploded within hours. Hashtags trended. Videos circulated. And one thing became abundantly clear: #3FacesOfJeffreyNortey wasn’t just a show. It was a statement.
Jeffrey Nortey proved that true art transcends obstacles. Rain couldn’t wash away the passion. Traffic couldn’t silence the anticipation. And tradition couldn’t contain the boundless creativity on display.
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