Epixode recently took to social media to ignite a conversation about the state of Ghana’s authentic music genre, Highlife. In a thought-provoking post accompanied by a poignant image, he lamented the pervasive influence of foreign music in Ghana and urged for a revival of Highlife music.
“Saddened to see how hyped we still are when we hear foreign music,” Epixode expressed in his caption. “It’s 2024, & East African artists will sing in Swahili but still go global. Nigerian acts will use ODO and will top our charts.”
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The skilled singer underscored the cultural significance and global potential of Highlife music, citing the success of performers from other African countries who embrace local sounds. His message resonates strongly in an era where international music frequently overshadows local genres, jeopardizing the preservation of Ghana’s musical legacy. With a tribute to Highlife music’s rich legacy and history, he advocated for increased attention and support for Ghanaian artists in the genre. “Really don’t know what the problem is, but I think HIGHLIFE deserves better,” he said. “There are so many excellent skills. God bless this fresh generation.” God bless HIGHLIFE.”
Epixode’s support for Highlife music resurgence comes at a critical time for Ghanaian artists, who are negotiating a changing musical scene dominated by foreign influences. As the globe embraces diversity and authenticity in music, Epixode’s plea to conserve and enhance Highlife acts as a rallying cry for artists, industry stakeholders, and music fans alike.Epixode’s advocacy highlights the continuing heritage of Highlife music and its ability to engage audiences locally and abroad. With persistent efforts to showcase Ghana’s rich musical history, performers such as Epixode are paving the road for a resurgence of highlife music, securing its proper place in the global music scene.
Efie Nsem (Kwahu) is available on all major streaming platforms, including a video on YouTube. Epixodemusic
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